GRnick

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godotal:

Using a fire extinguisher

godotal:

Using a fire extinguisher

godotal:

omgbuglen:

Wrong neighborhood motherfucker

Run…run away and never return.

godotal:

omgbuglen:

Wrong neighborhood motherfucker

Run…run away and never return.

paddleson:

ALEXANDRIA MCCROSKY swoon, 2014digital painting, inkjet on paper
When first approaching the digital paintings of Alexandria McCrosky, one is immediately confronted with a serene complexity and a refined sense of color. The palette of swoon is a study and meditation on complementary hues blended with a frenetic rhythm. Along the edges of the work, shattered frames encase a chaotic scene of hectic lines and jagged shapes. The softness found in moments of simulated airbrush marks is interrupted with a kind of geometry that can only result from a process of cut-and-paste. As a whole, the digital painting makes up a flat and dense surface; one that readily reminds us of the tricks the screen can play on our eyes. (Text by Paddles ON! curator Lindsay Howard)

Register to BID IN PADDLES ON! in London on July 3rd →Register to PRE-BID on Paddle8 starting June 18th →

paddleson:

ALEXANDRIA MCCROSKY swoon, 2014
digital painting, inkjet on paper

When first approaching the digital paintings of Alexandria McCrosky, one is immediately confronted with a serene complexity and a refined sense of color. The palette of swoon is a study and meditation on complementary hues blended with a frenetic rhythm. Along the edges of the work, shattered frames encase a chaotic scene of hectic lines and jagged shapes. The softness found in moments of simulated airbrush marks is interrupted with a kind of geometry that can only result from a process of cut-and-paste. As a whole, the digital painting makes up a flat and dense surface; one that readily reminds us of the tricks the screen can play on our eyes. (Text by Paddles ON! curator Lindsay Howard)

Register to BID IN PADDLES ON! in London on July 3rd →
Register to PRE-BID on Paddle8 starting June 18th →